Much to my chagrin, it will likely be a
while before I'm able to see The Dark Knight Rises. Theater
tickets cost a lot of money these days, and with 3D – it is in 3D,
isn't it? It has to be – a trip to the flicks is now a significant
chunk out of my non-existent paycheck. So in the meantime, I've
decided to catch up on some Batman films that I haven't seen. Earlier
this week, I watched Batman: Year One, which wasn't half bad.
And tonight, I decided that if I can't watch the Batman film that
everybody is talking about, I can at least watch the Batman film that
nobody is talking about.
Allow me to clarify: for better or for
worse, there at least is an opinion on most Batman films. Adam
West's Batman: The Movie is talked about all the time for how
ridiculous and idiotic it is, a fact that the film itself almost
seems to understand. Tim Burton's Batman is held in fairly
high regard among most people I have heard, and Batman Returns
has a great deal of mixed reviews. Batman and Robin
is reviled for both its cheesy campiness and the fact that, unlike
its 1960s predecessor, it does not realize how stupid it is. Even
Batman Forever, though nowhere near as good as Burton's films
or as expressly bad as Schumacher's followup, is at least brought up
now and then as That Time Jim Carrey Wore Spandex. And of course
Christopher Nolan's trilogy is nothing short of a pop cultural
phenomenon, even if sometimes people seem to forget that there was a
first film in the series.
But in 1993, hot off the success of the
Animated Series and the disappointing returns from Batman
Returns, there was another feature film release that is hardly
mentioned at all – Batman: Mask of the Phantasm. Part of the
highly acclaimed Batman: the Animated Series, Mask of the
Phantasm came out about a year after the launch of the series and
fits in as part of the story. But the weird thing is that nobody ever
seems to talk about it. I don't know if I have even ever met someone
who has seen it, and basically every single one of my friends loves
Batman. I had to find out about this on the internet, where the few
people who mention it assure me it is quite good.
And the thing is, they're right. It is
a really good Batman film. It both fits within the established mythos
of the series (at the time. Later seasons would retcon some things.)
and tells its own story well. Not only that, but unlike some film
entries of existing series like Trigun: Badlands Rumble, the
film has fairly high stakes. Sure, some of the most important
characters are introduced in the movie and never seen outside of it,
but their arcs are compelling and affect established characters in a
way that makes sense.
For those who have not seen the film,
there are two main stories that go on in it. The main story involves
a mysterious hooded figure – the eponymous Phantasm, though as far
as I noticed, nobody calls it this onscreen – who is systematically
hunting down and killing mob bosses. These murders are blamed on
Batman, which is not an unlikely leap, what what with the cape and
the mask and the unmistakable influences from Gothic horror.
The second story involves a former love
interest of Bruce Wayne's, a woman named Andrea Beaumont. And love
interest is not a loose term here: we see her relationship with Bruce
unfold quite seriously through a series of flashbacks. This story is
actually very interesting, as it has an enormous effect on Bruce and
raises answers to some pressing questions. Couldn't more good be
accomplished by Bruce Wayne through donations to the police and
charities? If so, why does he choose to become Batman instead? Where
is the line drawn between vigilantism and vengeance and has Batman
crossed it? It's an origin story that doesn't involve his technology
or his childhood or his fear/fascination with bats, and it works
because of it.
Other than these, the rest can be
summed up by saying it's a part of the animated series. It succeeds
best in its unique mesh of time periods and art styles. It can be
somewhat camp and cartoony but still dark and interesting. The cast
is fantastic, with some great (though short) parts with Wayne's
butler Alfred and of course Mark Hamill's endlessly entertaining
performance as The Joker. Furthermore, the scenes with the Phantasm
evoke a wonderful classic monster movie feel, and significant
development is given to the character and motivations of Bruce Wayne.
Sure, it suffers some from its relatively short running time, and
the climax perhaps leaves a bit to be desired and a lot unanswered.
But in spite of these flaws, Batman: Mask of the Phantasm
still is a great film, and easily belongs in the Top Five film
adaptations of the Batman franchise ever made.
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