Saturday, July 21, 2012

Batman: Mask of the Phantasm review


Much to my chagrin, it will likely be a while before I'm able to see The Dark Knight Rises. Theater tickets cost a lot of money these days, and with 3D – it is in 3D, isn't it? It has to be – a trip to the flicks is now a significant chunk out of my non-existent paycheck. So in the meantime, I've decided to catch up on some Batman films that I haven't seen. Earlier this week, I watched Batman: Year One, which wasn't half bad. And tonight, I decided that if I can't watch the Batman film that everybody is talking about, I can at least watch the Batman film that nobody is talking about.

Allow me to clarify: for better or for worse, there at least is an opinion on most Batman films. Adam West's Batman: The Movie is talked about all the time for how ridiculous and idiotic it is, a fact that the film itself almost seems to understand. Tim Burton's Batman is held in fairly high regard among most people I have heard, and Batman Returns has a great deal of mixed reviews. Batman and Robin is reviled for both its cheesy campiness and the fact that, unlike its 1960s predecessor, it does not realize how stupid it is. Even Batman Forever, though nowhere near as good as Burton's films or as expressly bad as Schumacher's followup, is at least brought up now and then as That Time Jim Carrey Wore Spandex. And of course Christopher Nolan's trilogy is nothing short of a pop cultural phenomenon, even if sometimes people seem to forget that there was a first film in the series.

But in 1993, hot off the success of the Animated Series and the disappointing returns from Batman Returns, there was another feature film release that is hardly mentioned at all – Batman: Mask of the Phantasm. Part of the highly acclaimed Batman: the Animated Series, Mask of the Phantasm came out about a year after the launch of the series and fits in as part of the story. But the weird thing is that nobody ever seems to talk about it. I don't know if I have even ever met someone who has seen it, and basically every single one of my friends loves Batman. I had to find out about this on the internet, where the few people who mention it assure me it is quite good.

And the thing is, they're right. It is a really good Batman film. It both fits within the established mythos of the series (at the time. Later seasons would retcon some things.) and tells its own story well. Not only that, but unlike some film entries of existing series like Trigun: Badlands Rumble, the film has fairly high stakes. Sure, some of the most important characters are introduced in the movie and never seen outside of it, but their arcs are compelling and affect established characters in a way that makes sense.

For those who have not seen the film, there are two main stories that go on in it. The main story involves a mysterious hooded figure – the eponymous Phantasm, though as far as I noticed, nobody calls it this onscreen – who is systematically hunting down and killing mob bosses. These murders are blamed on Batman, which is not an unlikely leap, what what with the cape and the mask and the unmistakable influences from Gothic horror.

The second story involves a former love interest of Bruce Wayne's, a woman named Andrea Beaumont. And love interest is not a loose term here: we see her relationship with Bruce unfold quite seriously through a series of flashbacks. This story is actually very interesting, as it has an enormous effect on Bruce and raises answers to some pressing questions. Couldn't more good be accomplished by Bruce Wayne through donations to the police and charities? If so, why does he choose to become Batman instead? Where is the line drawn between vigilantism and vengeance and has Batman crossed it? It's an origin story that doesn't involve his technology or his childhood or his fear/fascination with bats, and it works because of it.

Other than these, the rest can be summed up by saying it's a part of the animated series. It succeeds best in its unique mesh of time periods and art styles. It can be somewhat camp and cartoony but still dark and interesting. The cast is fantastic, with some great (though short) parts with Wayne's butler Alfred and of course Mark Hamill's endlessly entertaining performance as The Joker. Furthermore, the scenes with the Phantasm evoke a wonderful classic monster movie feel, and significant development is given to the character and motivations of Bruce Wayne. Sure, it suffers some from its relatively short running time, and the climax perhaps leaves a bit to be desired and a lot unanswered. But in spite of these flaws, Batman: Mask of the Phantasm still is a great film, and easily belongs in the Top Five film adaptations of the Batman franchise ever made.

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